October Spotlight: Michele Fatturi

MEET MICHELE FATTURI

I have just returned from Brazil where I worked as Broadcast Venue Manager during both Rio 2016 Olympic and Paralympic Games.

Each month we talk with an influential individual in our film industry and this month we have the opportunity to learn about a KC woman who recently worked at the Rio 2016 Olympic and Paralympic Games – Michele Fatturi. 

KCFO: You’ve spent most of your career living and working in Brazil. Are there any distinct differences between producing American media versus Brazilian media – how is it the same/how is it different?

MICHELE: It is hard to trace this parallel at the moment because in Brazil I have worked for over 12 years mainly for TV and Radio but in KC my working experience is in the cinema area and not yet TV.

Brazil has a great tradition in TV and advertising, being considered one of the best in the world for its high production standards. So, both countries share leading roles in this area and highly qualified professionals. However, the US produces more globally distributed content while Brazil produces for local and Latin markets. I think that’s the main difference. Also, as we deal with much smaller budgets, Brazilian professionals are very good at finding solutions outside the box to solve problems when resources are limited and crews are smaller. It’s the so called “jeitinho brasileiro”(Brazilian way) applied positively. I would say we are very resourceful.

It is also the difference between a KC media professional and someone from New York or the West Coast, for example. With less productions and smaller budgets you guys here need to do way more juggling to get things done, what makes the local talent very versatile.

KCFO: You’ve produced content for large entertainment companies like MTV and ESPN. Can you give us an example of a project(s) you worked on at each and what your role entailed?

MTV gives you a lot of freedom to create and to do things your way Continue reading

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Remembering Rick Cowan

This special edition of KC Film Spotlight brings members of the Kansas City film industry together to honor our friend Rick Cowan, a pillar in our industry, who passed away suddenly August 8, 2016. Some of us knew Rick for decades, some of us met him this year – no matter how long you knew him, you felt like you “knew him.” The City of Kansas City proclaimed the date of his “Final Wrap Party,” August 17, 2016 forevermore “Rick Cowan Day.”

Production is like a big puzzle, some times you can find all the right pieces, other times you need help because one piece has fallen on the floor and is under the table.  Rick and I helped each other find the missing pieces no matter who’s job it was.            – K. Krieger

The people we visited with are directors, producers, production managers, art directors, and location scouts who worked alongside Rick Cowan for years. You may have your own memories to share – feel free to include those as a comment.

Rick Cowan Extra 2

INTRODUCTION

Jim Wheeler – I met Rick about 20 years ago.

Abby Dix – I am trying to pinpoint the year I met Rick, which escapes me, but it was long ago.

Kathy Krieger – 30+ years. God, where does the time go?

Brad Slaughter – I’ve known Rick for 22 years

Bryan Mangan – I have known Rick for 30 years.

Melissa Willis – Ummm I don’t know…..I met him on “Ninth Street..” I was PA. The movie was released in 1999 but as with independent film it took years to complete and release. I’m sure the shoot I was on was around 1995?  It was the club shoot in downtown KC. The day was dedicated to the amazingly long and beautiful steadicam shot of the entire club starting at the front door. Continue reading

July Spotlight: AMERICAN HONEY

AMERICAN HONEY Filmed in KC

If you didn't know the 2016 Cannes Film Festival Jury Prize
winning film AMERICAN HONEY filmed in Kansas City last year, don't worry. 
The reason you didn't know is because the production kept their presence 
here very quiet. They asked  us not to discuss the project, actors or locations 
with anyone outside of those who were involved on a "need-to-know" basis. 
That meant no media, no social posts, no newsletter content about how 
exciting it was that they were here filming here. 

It was a great pleasure assisting this production. Knowing that this 
brilliant director was bringing her first US feature to Kansas City was 
incredible. Now that filming is done and they have premiered at Cannes, we 
can share some anecdotes that shed light on how the film office works with a
production like AMERICAN HONEY. First, watch their trailer and see how 
much KC you can find -

Andrea Arnold’s “American Honey” plunges the audience, with dizzying hand-held exhilaration, into the lives of a couple of dozen young pierced and tattooed drifters who have banded together into a roving derelict cult, driving around the Midwest in a van, where they have a scam going to use their hustle and beauty to guilt-trip people into buying magazine subscriptions. You may never have seen a movie that so eloquently captures the feeling of living not for the future but for the moment — and, let’s be clear, living that way is not a good thing. But there’s a haunting question that shadows the flying-high hip-hop catharsis of “American Honey,” and that is this: How did these kids get here? -Owen Glieberman, Variety

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June Spotlight: Scott Jolley

Each  month we connect with an influential professional in the industry. This month our Spotlight is on Scott Jolley – DP/videographer, jib commander, Steadicam operator, UVA pilot and ringleader at Scott Jolley Production Services. 

What I am most proud of is seeing the people I have helped get started go forth and kick ass.

scott 4I heard of Scott Jolly well before we met. Scott is someone in Kansas City that I heard of through colleagues and when spoken of people say he’s great at his job, he’s reliable, he’s a team player and he calls it like he sees it. People like Scott inspire us to elevate one another in our work and life. In our industry, our websites showcase reels of work, personal bios and resumes to help land business. Scott has all of that at SJPS.tv but also includes contact information for other people, including potential competitors as well as links to other productions sites and The Onion. He seems to have the opposite of “lack” mentality – he trusts that there is enough for all. This is one of the reasons we’re putting the June spotlight on Scott Jolley.


KCFMO: How long have you been in the film industry?

SCOTT: I got my first TV job when I was a freshman in high school. Abilene Kansas had a little public access station in the basement of the city library. It would have been 1979. It was primitive tv and I loved it. One of my jobs was putting the letters on a black magnetic board. That was our graphics.

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Jolley’s first job.

KCFMO: What is your role(s) in the industry? (your jobs on a crew)

SCOTT: It depends on what the day is. Some days I am a director of photography, or I might be the jib op, or Steadicam guy, or drone pilot. I also do a little editing and writing. I try and learn a new trick as often as possible. I remember 20 or so years ago, an online editor proclaimed to me that he would always have a job and that there was no need to learn non-linear editing. Last time I saw him, he was sinking in a tar pit.

The competition for work can be brutal and mean. It can force you into a fear based level of operation.


KCFMO: Do you have a philosophy/quote that inspires your work or life?
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April Spotlight: Misti Boland | Red Bird

Each  month we connect with an influential professional in the industry. This month our Spotlight is on Misti Boland – screenwriter, director, producer, production designer, art director.

Using the internet to distribute film and TV content is sort of like the new Wild West…

You might recognize Misti Boland from the Sundance/Slamdance blog we did earlier this year when we highlighted area people at the fests. Misti was a member of the jury at Slamdance Film Festival. We got together at the Missouri Film/KC Film party in Park City and we had a good laugh as she shared a story about dancing with Emilio Estevez, who was very much enjoying himself at the party she just came from. She also spoke of her exciting project Red Bird that she was in post-production on.

Misti Boland is known as a a production designer and and art director, with more than thirty (30) films to her credit. She is one of the founders of Women of Lawrence Film (WOLF). She has been finding success as a writer-director as well and has just launched a new webseries called Red Bird. We are honored to have this rising star as our film office spotlight this month.


Misti Boland on Location Directing "Red Bird"
Misti Boland on Location Directing “Red Bird”

KCFMO: Where did the idea for Red Bird come about? And where did the name come from?

MistiI grew up watching Western television shows and movies, and as a filmmaker I’ve been looking for the opportunity to create one.  When I was approached by actor friends Alexandra Goodman and Ian Stark about writing a script with two characters who encounter struggles with living off the land, I thought it would be a perfect fit Misti-Boland-on-setfor making a Western.

My co-writer, Jeremy Osbern, and I live in Lawrence, Kansas, and we both share an interest in the history of Bleeding Kansas and in particular Quantrill’s raid. We wanted to showcase a woman who lived through a similar event and witnessed the murder of her young son, which sparks her bloody quest for revenge.

The name for the web series came about when Jeremy and I decided that Sam’s (Kitty Mae’s father) special nickname for her would be Red Bird. 


RED BIRD HorizontalKCFMO: You are the writer, director and co-creator of this series. Tell us about those roles and any others you took on. Continue reading

Why a Local Film Incentive for Kansas City?

collageWhile at the at the AFCI Locations Trade Show in Los Angeles representing Kansas City and the state of Missouri, a screenwriter, let’s call him “Steve,” engaged us in a conversation about a romantic comedy script he wrote called “BBQ.” I immediately pitched the virtues of our incredible Kansas City BBQ scene and our strong crew base and he easily became interested in adding Kansas City to the list of cities he would consider. In the next beat he asked, “What are your incentives?” This question is the norm in the industry. In fact we may have been the only booth at the trade show without active incentives.


 

Last year the AFCI drew over 3,000 attendees, over 1,000 producers, 684 production associations, 227 directors, 108 film commissions and 83 independent filmmakers. [Source AFCI]


 

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January Spotlight: Melissa Willis – Producer/Production Manager

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I had the pleasure of working with Melissa Willis at Take Two (now HINT) several years ago. She was the kind of producer who respected the Production and everyone’s roles in it. She seemed to always stay late, she was amazingly organized, and meticulous about her production books. One of the truly great things about her is her willingness to teach young associate producers and production assistants who were interested in how to run a commercial production. Melissa is what I call a “crackerjack.” She knows her stuff and accepts nothing but the best from those she works with. Melissa is now the Senior Producer at Northpass Media in Kansas City.


KCFMO: How long have you been in the production industry and how did you start?

Melissa: I started about 22 years ago. There are many moments which shapedmy first 2 years. I answered an ad in a local paper, the Pitch, I think. The ad was asking for people to participate in a documentary. We met at the Westport Library. At that meeting I met Kirby Cobb the director and creator of the project. We met every Wednesday night. From those meetings the Independent Filmmakers Coalition (IFC) was born.

Via the IFC I met Patti Watkins the Film Commissioner of Kansas City. I interned for her during Ang Lee’s feature “Ride with the Devil” and during Frank Pierson’s HBO movie “Truman” when they were scouting Kansas City. Patti recommended me for Production Secretary on “Truman”.  I’m forever grateful to her for that opportunity. My script cabinet was Emmy worthy!

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Spotlight on TRUST FUND MOVIE

One of our favorite locations to film at was the “Italian Villa” which was an amazing home located only about 15 minutes south of downtown…we could not have asked for a better place to shoot our Italy scenes. The funny thing was, we filmed the family home in “Chicago” right across the street, that’s how diverse some of the neighborhoods are in Kansas City.

It’s not everyday that an independent film gets a deal with the AMC Independent program. But that’s exactly what Kansas City filmmakers Sandra Martin (SM), writer/director and Isaac Alongi (IA), cinematographer have done. Their film, Trust Fund, opens in KC on January 8 at AMC Theatres.  We invited Martin and Alongi to be the January KC film spotlight to celebrate the release. Congratulations to these incredible KC film talents and to all the cast and crew!

KCFMO: How did you film KC as Chicago and Italy? Tell us about your location selections.

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A Tale of Two TV Pilots

Funny People Descend on Kansas City

IMG_0470AlMadrigal_JakKnight_ThePhoenixownerandteam_IMG_0517 Kansas City was the location for two comedy television pilots – Comedy Central’s Travel Fun Show with Al Madrigal and Jak Knight (working title) and School of Humans/Tru TV’s Eugene Meets the Mayor starring Eugene Mirman and Wyatt Cenac. Eugene Mirman played the recurring character ‘Eugene’ on the  acclaimed HBO show Flight of the Concords and is the voice of Gene in the award-winning animated series Bob’s Burgers. Wyatt Cenac was a regular correspondent and writer on The Daily Show with Jon Stewart. Al Madrigal was also a regular correspondent on The Daily Show, is the co-founder of All Things Comedy podcast network and was a co-star on NBC’s series About A Boy. Jack Knight is a young stand-up comic and actor.

Why is Kansas City the spot for these two pilots who are hoping to be given life as serial TV shows?

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Behind-the-Scenes During Royals 2015 Post Season: Installment 2

(AP Photo/Orlin Wagner)
(AP Photo/Orlin Wagner)

We’ll never get sick of saying it – the Kansas City Royals are 2015 World Series Champs!  Think about every game you watched on TV, all the highlights, the announcers, the interviews, the cool and often funny promotions. This is the domain of the production industry and our KC Production Crew was a huge part of making it all look great!

We enjoyed working with all of them….the former players were inviting and dripping with contagious spunk.

The second installment of KC Crew behind-the-scenes this post-season features the people who kept the on-camera talent looking their best, Make-Up Artists:

Staci Broski
Michelle Taylor
Jolie Carrillo-Allen

AROD had breakfast at the Classic Cup and did Yoga somewhere in Westport in the mornings.

KCFMO: What was your role as a crew person during the Royals post-season?

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