Music licensing for film is a relatively new way for the everyday musician to monetize their music in a substantial way. Though it has taken off on the coasts, we couldn’t find anyone in the Midwest who was curating an online catalog of tracks for filmmakers to license.
We first became aware of Mark Buerlger when he participated in the bi-city film competition between Kansas City and Chattanooga, Capture Filmmaking Contest. Mark was one of the composers selected to be paired with an editor. This team of two would create an original short film using footage uploaded by the public in both cities. It was a strong pairing. Together, editor Kyle Hamrick and composer Mark Buergler won the Best of Show award, the highest honor in the contest. As they say, good attracts good, and on the heels of his win Mark met Todd Davidson of Fountain City Studios and a new venture was born – SongHue. We are visiting with the team at SongHue to learn more about music licensing and their growing roster of Midwest artists.
KCFO: What gave you the idea for a music licensing company for motion pictures/video/media production?
MARK: SongHue started through a film + music collaboration between myself and Fountain City Studios. I graduated out of UMKC in 2015, and was able to support myself making license-able music for film right off the bat! Though I was stoked that a career in music was an option for me, I was also seriously bummed that I was doing it all by myself. This is when I partnered with Todd Davidson at Fountain City Studios to compose music for film in-house.
To simply have a crew to bounce ideas off of and collaborate with was huge to me. Coming from a background of being in bands, and having a close crew of friends in college, I didn’t want to do everything on my own. Sitting in my studio apartment creating music for hours on end was really fun, but it was also incredibly lonely! On top of that, I couldn’t find anyone else who was doing what I do in KC.
After working together on several film projects, Continue reading