Updated: 18 MO and KS Connected Films at 2017 Sundance and Slamdance

People travel from every corner of the globe to be among the first to see what the festival’s curators have determined are the best independent narrative and documentary films, selected from nearly 11,000 submissions.    – Pat Mitchell, Producer

Each year the KC Film and Missouri Film Offices go to Sundance Film Festival to network, host a party and support Missouri and KC connected films that screen at Sundance or Slamdance. In 2017, there are at least 16 films that are MO and KS connected. If you are going to Park City this year, consider adding these films to your ticket wish-list. And if not, it’s great to know that we have Midwest ties at one of the biggest and most prestigious festivals of the year.


#1  BRAD CUTS LOOSE | Writer/Director: Christopher Good

Summary: Brad, an uptight office drone, seemingly discovers the perfect vehicle for letting off steam when an advertisement for a business catering to his innermost desires pops up one morning on his computer. Brad’s subsequent visit to the business and encounter with its receptionist Janine, however, don’t quite go as planned. (via IMDB)

Connection: Writer/Director Christopher Good, Producer Andreina Byrne, Cinematographer Jeremy Osbern and Sound Mixer Danny Bowersox are from the Greater Kansas City area. Their work is can be seen in film, music videos, commercials and webseries. This is the third year that Jeremy Osbern will have a film at the Slamdance.

BRAD CUTS LOOSE is in Shorts Block 3 at Slamdance Film Festival, January 20-26 in Park City, Utah.


#2  COLOSSAL Writer/Director: Nacho Vigalondo

Summary: Gloria (Anne Hathaway) is a hard partying New York scene girl who is thrust into crisis when her boyfriend, Tim (Dan Stevens), grows sick of her antics and kicks her out of their apartment. With no other options, she moves back to her hometown and quickly regresses, drinking every night until last call and accepting a job at a bar owned by her childhood friend Oscar (Jason Sudeikis). One day she wakes up and blurrily finds out that Seoul was terrorized by a giant creature the night before. Eventually, Gloria begins to suspect her own drunken actions are bizarrely connected to the monster rampaging in South Korea. (via Sundance.org) Continue reading

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Remembering Rick Cowan

This special edition of KC Film Spotlight brings members of the Kansas City film industry together to honor our friend Rick Cowan, a pillar in our industry, who passed away suddenly August 8, 2016. Some of us knew Rick for decades, some of us met him this year – no matter how long you knew him, you felt like you “knew him.” The City of Kansas City proclaimed the date of his “Final Wrap Party,” August 17, 2016 forevermore “Rick Cowan Day.”

Production is like a big puzzle, some times you can find all the right pieces, other times you need help because one piece has fallen on the floor and is under the table.  Rick and I helped each other find the missing pieces no matter who’s job it was.            – K. Krieger

The people we visited with are directors, producers, production managers, art directors, and location scouts who worked alongside Rick Cowan for years. You may have your own memories to share – feel free to include those as a comment.

Rick Cowan Extra 2

INTRODUCTION

Jim Wheeler – I met Rick about 20 years ago.

Abby Dix – I am trying to pinpoint the year I met Rick, which escapes me, but it was long ago.

Kathy Krieger – 30+ years. God, where does the time go?

Brad Slaughter – I’ve known Rick for 22 years

Bryan Mangan – I have known Rick for 30 years.

Melissa Willis – Ummm I don’t know…..I met him on “Ninth Street..” I was PA. The movie was released in 1999 but as with independent film it took years to complete and release. I’m sure the shoot I was on was around 1995?  It was the club shoot in downtown KC. The day was dedicated to the amazingly long and beautiful steadicam shot of the entire club starting at the front door. Continue reading

April Spotlight: Misti Boland | Red Bird

Each  month we connect with an influential professional in the industry. This month our Spotlight is on Misti Boland – screenwriter, director, producer, production designer, art director.

Using the internet to distribute film and TV content is sort of like the new Wild West…

You might recognize Misti Boland from the Sundance/Slamdance blog we did earlier this year when we highlighted area people at the fests. Misti was a member of the jury at Slamdance Film Festival. We got together at the Missouri Film/KC Film party in Park City and we had a good laugh as she shared a story about dancing with Emilio Estevez, who was very much enjoying himself at the party she just came from. She also spoke of her exciting project Red Bird that she was in post-production on.

Misti Boland is known as a a production designer and and art director, with more than thirty (30) films to her credit. She is one of the founders of Women of Lawrence Film (WOLF). She has been finding success as a writer-director as well and has just launched a new webseries called Red Bird. We are honored to have this rising star as our film office spotlight this month.


Misti Boland on Location Directing "Red Bird"
Misti Boland on Location Directing “Red Bird”

KCFMO: Where did the idea for Red Bird come about? And where did the name come from?

MistiI grew up watching Western television shows and movies, and as a filmmaker I’ve been looking for the opportunity to create one.  When I was approached by actor friends Alexandra Goodman and Ian Stark about writing a script with two characters who encounter struggles with living off the land, I thought it would be a perfect fit Misti-Boland-on-setfor making a Western.

My co-writer, Jeremy Osbern, and I live in Lawrence, Kansas, and we both share an interest in the history of Bleeding Kansas and in particular Quantrill’s raid. We wanted to showcase a woman who lived through a similar event and witnessed the murder of her young son, which sparks her bloody quest for revenge.

The name for the web series came about when Jeremy and I decided that Sam’s (Kitty Mae’s father) special nickname for her would be Red Bird. 


RED BIRD HorizontalKCFMO: You are the writer, director and co-creator of this series. Tell us about those roles and any others you took on. Continue reading

February Spotlight: Kevin Willmott

Each  month we connect with an influential professional in the industry. This month our Spotlight is on Kevin Willmott -screenwriter, director, producer, actor and professor.

To have one of your film heroes say that about your work is about as good as it gets.

Kevin Willmott

Kevin Willmott grew up in Kansas and attended college to study Drama at Marymount University in Salina. His work as a peace and civil rights activist after college resounds in his filmography. After Marymount he created two shelters for the homeless and fought for integration within several long-standing segregated institutions. Later he went on to the graduate program at the prestigious NYU, Tisch School of the Arts where he won several writing awards and earned an MFA in Dramatic Writing.

Although I didn’t have Willmott as a professor at KU, I did have the great pleasure of working as a camera assistant/loader for a 2nd unit team in 1999 on his critically acclaimed feature film, “C.S.A.: Confederate States of America” (2004). The film explores what America might be like had the Civil War been won by the South. “C.S.A.”, as well as “The Only Good Indian” (2009) premiered at the Sundance Film Festival and represent only a few of his many professional credits.

Willmott’s numerous credits range from actor (11 credits), writer (8 credits), producer (9 credits) and director (8 credits). [Source IMDB]

As a professor Willmott inspires students by example – by creating consistently, working hard and having the determination to make films he believes in that often take years to enter into production. Our intern, Rachel Kephart, a former student of Willmott says, “he’s very present as a professor and teaches from a real knowledge of filmmaking from idea to distribution without pretension.”

We are grateful that he shared some of his experiences and photos with us, even with an incredibly busy schedule.


KCFMO: What were you doing before you came to University of Kansas to teach?

Continue reading